ARTIST-IN-RESIDENCE
2010. Hooyong Performing Arts Centre, South Korea
Hooyong Performing Arts Centre South KoreaArtist-in-Residences is a program designed to provide supportive environment for the artists to concentrate on their creative works. Through the program, artists are to strengthen their creativity in association with a variety of artistic elements, and the nature-friendly work space will allow them to solidify their discipline and skill. Hooyong Performing Arts Centre welcomes all the artists with their own philosophical mind and endless passion for the performing arts.
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2010. PLATEFORME, Kagura, Japan
PLATEFORME is a trans-cultural laboratory intended to enhance knowledge, to further the exchange of ideas, and to cultivate artistic concerns.
Established in 2008, PLATEFORME provides research facilities and training programs aimed at encouraging investigations for nourishing the field of dance in general, and choreographic composition in particular.
Workshops, residencies and research programs allow dancers and choreographers the possibility to lay down theoretical grounds and elaborate practical experimentations specific to the choreographic aspects of ritualization observed in the archaic ritual dances of Asia, and their transfer to contemporary choreography.
From these experiences, establish individual or group projects to develop choreographic tools and methods for making new forms of contemporary dance and/or new forms of ritualized dance.
PLATEFORME is located in the area of Kamate, in the city of Masuda on the coast of the Japan Sea in Western Shimane Prefecture which has a long history of ancient dances.
A Franco-Japanese project initiated by the French association Ma To Ma, with support from the National Choreographic Centre of Tours-CCNT/France and the Fondation BNP Paribas/France.
Established in 2008, PLATEFORME provides research facilities and training programs aimed at encouraging investigations for nourishing the field of dance in general, and choreographic composition in particular.
Workshops, residencies and research programs allow dancers and choreographers the possibility to lay down theoretical grounds and elaborate practical experimentations specific to the choreographic aspects of ritualization observed in the archaic ritual dances of Asia, and their transfer to contemporary choreography.
From these experiences, establish individual or group projects to develop choreographic tools and methods for making new forms of contemporary dance and/or new forms of ritualized dance.
PLATEFORME is located in the area of Kamate, in the city of Masuda on the coast of the Japan Sea in Western Shimane Prefecture which has a long history of ancient dances.
A Franco-Japanese project initiated by the French association Ma To Ma, with support from the National Choreographic Centre of Tours-CCNT/France and the Fondation BNP Paribas/France.
2008. Uchida Fellowship
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2007. Royaumont Foundation, Kagura
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2005. Asia-Europe Foundation, Pointe to Point, 3rd Asia-Europe Dance Forum,
Japan
The 3rd Asia-Europe Dance Forum, `Pointe to Point’, was held from 6th-13th September, 2005 in Tokyo, Japan. The Thinking behind the programme branding Pointe to Point is to emphasise the significance of dance as a medium of communication that reflects constantly changing society, thus, raising and articulating issues to encourage cultural dialogue and exchange. Pointe to Point is committed to providing young people a process-oriented platform for creative exchange and dialogue through dance.
For 2005′s Pointe to Point, 22 young artists from 16 countries; Cambodia, China, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Indonesia, Japan, Korea, Philippines, Poland, Portugal, Slovakia and Thailand dealt with the theme, “localism” to explore the amalgamation of dance and new media. Each one presented his/her own realities and situation addressing what it meant to be local, employing areas in contemporary dance and through collaborative artistic expression with space design, sound and lighting technology, and interactive photography installation.
For 2005′s Pointe to Point, 22 young artists from 16 countries; Cambodia, China, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Indonesia, Japan, Korea, Philippines, Poland, Portugal, Slovakia and Thailand dealt with the theme, “localism” to explore the amalgamation of dance and new media. Each one presented his/her own realities and situation addressing what it meant to be local, employing areas in contemporary dance and through collaborative artistic expression with space design, sound and lighting technology, and interactive photography installation.
2004. DanceWeb, Austria
The Enhanced danceWEB Europe Scholarship Programme is a 5 week summer residency taking place every year in July – August in Vienna within the frame of ImPulsTanz festival.
The Scholarship Programme offers around 50 young professional dancers and choreographers from mainly European but also from Eastern European and non European countries the possibility to take part in an intense multinational further training programme.
The programme focuses on the exchange of ideas and knowledge, not limited by national borders, on concentrated further training, on meeting with internationally renowned artists gathering in Vienna at ImPulsTanz with the aim to orient the career of the participants. In order to achieve both its educational and artistic goals, the Scholarship Programme is supervised each year by anartistic coach selected amongst dance personalities who have played a decisive part on an international level in the development of contemporary dance in recent years.
Over 650 young professional dancers and choreographers from over 70 countries have been part of this programme since its creation in 1996.
The Scholarship Programme offers around 50 young professional dancers and choreographers from mainly European but also from Eastern European and non European countries the possibility to take part in an intense multinational further training programme.
The programme focuses on the exchange of ideas and knowledge, not limited by national borders, on concentrated further training, on meeting with internationally renowned artists gathering in Vienna at ImPulsTanz with the aim to orient the career of the participants. In order to achieve both its educational and artistic goals, the Scholarship Programme is supervised each year by anartistic coach selected amongst dance personalities who have played a decisive part on an international level in the development of contemporary dance in recent years.
Over 650 young professional dancers and choreographers from over 70 countries have been part of this programme since its creation in 1996.
2003. Company Ixkizit, France
The triennial program Chantier en construction/International contemporary dance and artistic forms in creation was initiated in 2001 by IXKIZIT Cie Joel Borges in collaboration with Mains d’Euveres -space for artistic and social innovation- located in Saint-Quen, in order to support youngchoreographers on an international level.
In collaboration with French and international cultural structures, IXKIZIT Cie desires to meet young choreographers who are in phase of initiating a project. They defend a personal choreographic project that they wish to develop through research oriented towards new types of performance spaces and new artistic collaborations.
The residency Chantier en construction favours the birth of autonomous projects, the development of project sin course and encourages experimentation and artistic collaboration. The dynamics of this construction will be furthered by an artistic, administrative and logistic accompaniment.
During Chantier en construction, cultural actions involving the invited artists will develop spaces of dialogue with the audience and the cultural and social structures of the city of St-Quen and its region.
In collaboration with French and international cultural structures, IXKIZIT Cie desires to meet young choreographers who are in phase of initiating a project. They defend a personal choreographic project that they wish to develop through research oriented towards new types of performance spaces and new artistic collaborations.
The residency Chantier en construction favours the birth of autonomous projects, the development of project sin course and encourages experimentation and artistic collaboration. The dynamics of this construction will be furthered by an artistic, administrative and logistic accompaniment.
During Chantier en construction, cultural actions involving the invited artists will develop spaces of dialogue with the audience and the cultural and social structures of the city of St-Quen and its region.